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| Hometown | Chapel Hill, NC |
| Genres | Pop, Rock |
| Band Members | Matt - Vocals ; Chuck - Bass ; Rob - Drums; Greg - ... » more |
| Achievements | |
| Upcoming Shows | None |
| Contact Information: |
Publicist
Taylor Van Arsdale ~ Tailfish PR tailfish@roadrunner.com (310) 721-0877 |
| # Years Experience Performing Live: | 16 |
| Performing Rights Society: | BMI |
| Discography: | Black Holes & Butterflies LP—2010; The Halo Effect EP—2010 |
Black Holes and Butterflies is the 2nd album by the pop-rock trio—Matt Mocharnuk (Vocals/Lyrics), Chuck Cox (bass) and Greg Torsone (everything else). They blend digital guitar effects, full orchestration, timeless piano, acoustic solos, rich vocal...
Black Holes and Butterflies is the 2nd album by the pop-rock trio—Matt Mocharnuk (Vocals/Lyrics), Chuck Cox (bass) and Greg Torsone (everything else). They blend digital guitar effects, full orchestration, timeless piano, acoustic solos, rich vocal harmonies, vivid mental images, and intricate mixing techniques to create songs that have mass appeal. Spaceship Days were Reverb’s Featured Artist and are the Winners, Best Pop Act for the 2011 Online Music Awards.
Spaceship Days--"The Halo Effect" by Rhonda Readence
Spaceship Days’ album The Halo Effect begins with the track “A Little Extraordinary,” which can also describe the sound of this trio of musicians, based in Chapel Hill, North Carolina, who have...
Spaceship Days’ album The Halo Effect begins with the track “A Little Extraordinary,” which can also describe the sound of this trio of musicians, based in Chapel Hill, North Carolina, who have...
Spaceship Days Black Holes & Butterflies Review by The Music Addict
The boys of Spaceship Days have done it again. Their music offers a sound unlike anything I have heard in quite some time. It’s haunting, uplifting, and it makes you think. Most of all, it gives...
The boys of Spaceship Days have done it again. Their music offers a sound unlike anything I have heard in quite some time. It’s haunting, uplifting, and it makes you think. Most of all, it gives...
Spaceship Days--"The Halo Effect" by Rhonda Readence
Spaceship Days’ album The Halo Effect begins with the track “A Little Extraordinary,” which can also describe the sound of this trio of musicians, based in Chapel Hill, North Carolina, who have known each other since childhood. From the opening notes, it is clear that the bond shared amongst this collective is a strong one. Drawing heavily on influences such as Catherine Wheel, Radiohead, and a plethora of soft alternative bands that have influenced them throughout their impressive musical careers, Spaceship Days provides listeners with an optimistic and enlightening approach to music and creativity. “Pain in Pretty Things” carries a vocal pattern that is reminiscent of the song “Mad World” by Tears For Fears, specifically the Donnie Darko soundtrack version. While that tune is dark and perhaps a bit disturbing, “Pain in Pretty Things” is much lighter by contrast. There is a melancholy feel, but there is also a rather uplifting rhythm to it that prevents it from being too heavy. The sound is crisp and the vocalist’s range is extraordinary. This track gives the listener a sense of anticipation at what is to come on the rest of the album. The next track, “Big World Pop Stars,” has a mellow dreamy quality about it that is sure to make adolescent girls get butterflies inside. The piano work is a nice touch and each note is precise, clean and well engineered. The track fades out softly and paves the way for “Stick On Stars,” which should be Spaceship Days’ hit single on this album. This piece surpasses expectations and sets the bar high for what is to come. Musically, “Stick On Stars” is a brilliant composition with an incredible sound. Lyrically, the piece gives hope, inspiration, and an optimistic sense of possibilities. This track is sure to be a fan favorite and a commercial success. “Something Perfect” is clearly a song heavily influenced by Catherine Wheel, and yet Spaceship Days creates their own sound and unique way of portraying the world around them through music. Listeners familiar with the band Slowdive may find some similarities there as well. The polished sound and near flawless engineering shines through with clarity on this track and the vocalist showcases his range and the smooth transitions from high to low. The gradual fade out is the perfect compliment to the next track, “My Life With You,” is a beautifully written song that sends a message of undying devotion and unconditional love. This emotional ballad is exactly what women (and men) want to hear from their partner and Spaceship Days performs it wonderfully. “The One That Got Away” is a rather deep piece that also focuses on love. Listeners near and far, from every walk of life, can relate to this heart-breaking melody and the powerful lyrics that bring forth emotions and memories. Candidly sung, Spaceship Days touches upon the insecurities that humans feel; the self-doubt and the questions we ask ourselves late at night when sleep is far. The instrumentation is not overly complicated in this piece, which adds to the charm of it and allows the listener to really focus on the exceptional vocals and lyrics. This song hits home in many different ways to many different people and would be an excellent song choice to perform live. Lighters will be flickering and wavering as the crowd sings along. The album closes with “Oceans” and it’s a fantastic choice to end on. The track is upbeat, optimistic and melodic with a touch of sadness. A song written about time passing and the inevitable changes that occur, “Oceans” is another track that is easy to relate to. Spaceship Days leaves their fans with a sense of being understood and understanding of others. The message that Spaceship Days is giving their listeners is one of warmth and hope, belonging and comfort. This trio of skilled musicians has succeeded in bringing people together through their music and providing an escape from reality while still retaining an awareness of it. It’s a beautiful experience when a band is able to do that, and Spaceship Days does it amazingly well throughout their album The Halo Effect. Review written by Rhonda Readence
Spaceship Days’ album The Halo Effect begins with the track “A Little Extraordinary,” which can also describe the sound of this trio of musicians, based in Chapel Hill, North Carolina, who have known each other since childhood. From the opening notes, it is clear that the bond shared amongst this collective is a strong one. Drawing heavily on influences such as Catherine Wheel, Radiohead, and a plethora of soft alternative bands that have influenced them throughout their impressive musical careers, Spaceship Days provides listeners with an optimistic and enlightening approach to music and creativity. “Pain in Pretty Things” carries a vocal pattern that is reminiscent of the song “Mad World” by Tears For Fears, specifically the Donnie Darko soundtrack version. While that tune is dark and perhaps a bit disturbing, “Pain in Pretty Things” is much lighter by contrast. There is a melancholy feel, but there is also a rather uplifting rhythm to it that prevents it from being too heavy. The sound is crisp and the vocalist’s range is extraordinary. This track gives the listener a sense of anticipation at what is to come on the rest of the album. The next track, “Big World Pop Stars,” has a mellow dreamy quality about it that is sure to make adolescent girls get butterflies inside. The piano work is a nice touch and each note is precise, clean and well engineered. The track fades out softly and paves the way for “Stick On Stars,” which should be Spaceship Days’ hit single on this album. This piece surpasses expectations and sets the bar high for what is to come. Musically, “Stick On Stars” is a brilliant composition with an incredible sound. Lyrically, the piece gives hope, inspiration, and an optimistic sense of possibilities. This track is sure to be a fan favorite and a commercial success. “Something Perfect” is clearly a song heavily influenced by Catherine Wheel, and yet Spaceship Days creates their own sound and unique way of portraying the world around them through music. Listeners familiar with the band Slowdive may find some similarities there as well. The polished sound and near flawless engineering shines through with clarity on this track and the vocalist showcases his range and the smooth transitions from high to low. The gradual fade out is the perfect compliment to the next track, “My Life With You,” is a beautifully written song that sends a message of undying devotion and unconditional love. This emotional ballad is exactly what women (and men) want to hear from their partner and Spaceship Days performs it wonderfully. “The One That Got Away” is a rather deep piece that also focuses on love. Listeners near and far, from every walk of life, can relate to this heart-breaking melody and the powerful lyrics that bring forth emotions and memories. Candidly sung, Spaceship Days touches upon the insecurities that humans feel; the self-doubt and the questions we ask ourselves late at night when sleep is far. The instrumentation is not overly complicated in this piece, which adds to the charm of it and allows the listener to really focus on the exceptional vocals and lyrics. This song hits home in many different ways to many different people and would be an excellent song choice to perform live. Lighters will be flickering and wavering as the crowd sings along. The album closes with “Oceans” and it’s a fantastic choice to end on. The track is upbeat, optimistic and melodic with a touch of sadness. A song written about time passing and the inevitable changes that occur, “Oceans” is another track that is easy to relate to. Spaceship Days leaves their fans with a sense of being understood and understanding of others. The message that Spaceship Days is giving their listeners is one of warmth and hope, belonging and comfort. This trio of skilled musicians has succeeded in bringing people together through their music and providing an escape from reality while still retaining an awareness of it. It’s a beautiful experience when a band is able to do that, and Spaceship Days does it amazingly well throughout their album The Halo Effect. Review written by Rhonda Readence
Spaceship Days Black Holes & Butterflies Review by The Music Addict
The boys of Spaceship Days have done it again. Their music offers a sound unlike anything I have heard in quite some time. It’s haunting, uplifting, and it makes you think. Most of all, it gives you a respite from the utter monotony of the music world today. They’re refreshing. And their new album, Black Holes and Butterflies is no exception! From start to finish this album will make you smile, make you cry, and make you remember all the great things in life. In “Hanging from the Satellites” you can feel the emotion of getting on stage in front of a crowd of people for the first time. You can taste and smell the smoke, feel the sweaty palms, and the nervous stomach. Even now, as I’m listening to it I’m typing faster because I feel nervous and excited. This song is totally about that first time, and the lines “never wanna stop, whatever it is that we got” you almost want to stand up and cheer them on to the finish line. “Ghost of California” is catchy and upbeat. Something that is great, the intro gets your head moving to the beat. The song is about being in love, the kind of love where everything makes sense, as long as you’re with that one special person. You smile, remembering love you have and love lost. You know how he feels, and that makes you sit up a little straighter, and listen a little closer. The line “when the world comes to an end, was I the man I could have been? Or was I just irrelevant, like a day without you?” makes you want to feel that love if you don’t have it in your life. If you do it makes you want to run to that person and hold them and never let them go. Amazing… This is one of the most perfect upbeat love and devotion songs. Personally, I think I have found that special gem. Bands like this don’t come around very often, so strap on your safety harness and hold on tight. It’s going to be one heck of a rocket ship ride!
The boys of Spaceship Days have done it again. Their music offers a sound unlike anything I have heard in quite some time. It’s haunting, uplifting, and it makes you think. Most of all, it gives you a respite from the utter monotony of the music world today. They’re refreshing. And their new album, Black Holes and Butterflies is no exception! From start to finish this album will make you smile, make you cry, and make you remember all the great things in life. In “Hanging from the Satellites” you can feel the emotion of getting on stage in front of a crowd of people for the first time. You can taste and smell the smoke, feel the sweaty palms, and the nervous stomach. Even now, as I’m listening to it I’m typing faster because I feel nervous and excited. This song is totally about that first time, and the lines “never wanna stop, whatever it is that we got” you almost want to stand up and cheer them on to the finish line. “Ghost of California” is catchy and upbeat. Something that is great, the intro gets your head moving to the beat. The song is about being in love, the kind of love where everything makes sense, as long as you’re with that one special person. You smile, remembering love you have and love lost. You know how he feels, and that makes you sit up a little straighter, and listen a little closer. The line “when the world comes to an end, was I the man I could have been? Or was I just irrelevant, like a day without you?” makes you want to feel that love if you don’t have it in your life. If you do it makes you want to run to that person and hold them and never let them go. Amazing… This is one of the most perfect upbeat love and devotion songs. Personally, I think I have found that special gem. Bands like this don’t come around very often, so strap on your safety harness and hold on tight. It’s going to be one heck of a rocket ship ride!
Spaceship Days “Black Holes and Butterflies” by Rhonda Readence
Friends since childhood, Chuck Cox (bass) Matt Mocharnuk (vocals), and Greg Torsone (everything else) have compiled their talents into a creative endeavor titled Spaceship Days. Their album Black Holes and Butterflies is an eleven-track journey into the hearts and minds of these creative individuals and an excursion into melodic alternative pop. The album starts with “Hanging From The Satellites,” a wonderful introductory track with a Third Eye Blind essence to it. The lyrics are full of optimism and vivid imagery. Listeners will adore the contagious rhythm of this piece and the soft comfort it brings. “Stick On Stars” will likely be a fan favorite with excellent vocal harmonizing, haunting lyrics, and exceptional musicianship. The sound quality is high and the overall feel of this track is one of polished professionalism with an artistic flair that is enviable. “Shadow Walking” begins with a melody that is immediately intriguing and vocals that are again reminiscent of Third Eye Blind. Matt gets the chance to educate us on the diversity of his vocal range in this piece and the rhythm is quietly energetic. The lyrics carry a sense of soft melancholy and are extremely well-written. “My Life Without You” is a beautiful love song with lyrics that will melt the heart. The vocal delivery is full of emotion and the candid honesty of this song will give listeners an appreciation for the creative and artistic capacity of this band. “Ghost Of California” changes the pace significantly with a faster rhythm and a catchy drumbeat. The vocals sound slightly distant, which allows the listener to focus more on the instrumentation, which is spectacular, particularly the guitar work. This is a solid track that fans will wait eagerly to see performed live. “Pain In Pretty Things” is a darkly melodic piece that immediately brings to mind the song “Mad World” by Tears For Fears. With thoughtful and deep lyrics, this song is brimming with emotion and candor. The instrumentation is excellent and this is an amazingly well-composed piece of music. “A Little Extraordinary” pretty much sums up this track with its title. Except it should be a LOT extraordinary. Full of optimism and hope, this track embodies the very essence of this collective. Wonderfully produced, the sound quality is the icing on the cake. Black Holes and Butterflies flows on with “Big World Pop Star,” a song that begins with a nice drumbeat and a slick guitar lick that catches the attention. The vocals are spot on, as usual, and Spaceship Days carries this harmonious melody exceedingly well. “Something Perfect” begins as an up-tempo track with a rhythm that will get legions of fans bopping to the beat. As with most of the songs on the album, this piece carries a romantic vibe to it with hauntingly beautiful lyrics. Fans of Catherine Wheel should be delighted with this offering. “Sweet Suffocation” is the classic Spaceship Days song, containing intelligent and thoughtful lyrics, consistently professional musicianship, and an aura of optimistic hopefulness. This artist has the ability to create emotional songs, without seeming overly emotional, and melancholy pieces without being sad. They are also able to give a sense of possibility; the idea that anything can happen at any moment and that life is full of wonder. The album closes with “Last Kiss on Earth,” a stellar piece full of exceptional piano work, classic guitar playing, and a rhythm that cannot be replicated. The vocals are smooth and confident, carrying forth some of the best lyrics in music today. Spaceship Days is a band full of excellent musicians who are clearly very talented, but there are a million of those. What set Black Holes and Butterflies apart from conventional alternative music are the lyrics and the sense of confidence and hope that this band seems to radiate. Fans will listen to this music not so much for the music itself, although it is excellent. They will listen to this music for the way it makes them feel. Review by Rhonda Readence Rating: 4 stars (out of 5)
Friends since childhood, Chuck Cox (bass) Matt Mocharnuk (vocals), and Greg Torsone (everything else) have compiled their talents into a creative endeavor titled Spaceship Days. Their album Black Holes and Butterflies is an eleven-track journey into the hearts and minds of these creative individuals and an excursion into melodic alternative pop. The album starts with “Hanging From The Satellites,” a wonderful introductory track with a Third Eye Blind essence to it. The lyrics are full of optimism and vivid imagery. Listeners will adore the contagious rhythm of this piece and the soft comfort it brings. “Stick On Stars” will likely be a fan favorite with excellent vocal harmonizing, haunting lyrics, and exceptional musicianship. The sound quality is high and the overall feel of this track is one of polished professionalism with an artistic flair that is enviable. “Shadow Walking” begins with a melody that is immediately intriguing and vocals that are again reminiscent of Third Eye Blind. Matt gets the chance to educate us on the diversity of his vocal range in this piece and the rhythm is quietly energetic. The lyrics carry a sense of soft melancholy and are extremely well-written. “My Life Without You” is a beautiful love song with lyrics that will melt the heart. The vocal delivery is full of emotion and the candid honesty of this song will give listeners an appreciation for the creative and artistic capacity of this band. “Ghost Of California” changes the pace significantly with a faster rhythm and a catchy drumbeat. The vocals sound slightly distant, which allows the listener to focus more on the instrumentation, which is spectacular, particularly the guitar work. This is a solid track that fans will wait eagerly to see performed live. “Pain In Pretty Things” is a darkly melodic piece that immediately brings to mind the song “Mad World” by Tears For Fears. With thoughtful and deep lyrics, this song is brimming with emotion and candor. The instrumentation is excellent and this is an amazingly well-composed piece of music. “A Little Extraordinary” pretty much sums up this track with its title. Except it should be a LOT extraordinary. Full of optimism and hope, this track embodies the very essence of this collective. Wonderfully produced, the sound quality is the icing on the cake. Black Holes and Butterflies flows on with “Big World Pop Star,” a song that begins with a nice drumbeat and a slick guitar lick that catches the attention. The vocals are spot on, as usual, and Spaceship Days carries this harmonious melody exceedingly well. “Something Perfect” begins as an up-tempo track with a rhythm that will get legions of fans bopping to the beat. As with most of the songs on the album, this piece carries a romantic vibe to it with hauntingly beautiful lyrics. Fans of Catherine Wheel should be delighted with this offering. “Sweet Suffocation” is the classic Spaceship Days song, containing intelligent and thoughtful lyrics, consistently professional musicianship, and an aura of optimistic hopefulness. This artist has the ability to create emotional songs, without seeming overly emotional, and melancholy pieces without being sad. They are also able to give a sense of possibility; the idea that anything can happen at any moment and that life is full of wonder. The album closes with “Last Kiss on Earth,” a stellar piece full of exceptional piano work, classic guitar playing, and a rhythm that cannot be replicated. The vocals are smooth and confident, carrying forth some of the best lyrics in music today. Spaceship Days is a band full of excellent musicians who are clearly very talented, but there are a million of those. What set Black Holes and Butterflies apart from conventional alternative music are the lyrics and the sense of confidence and hope that this band seems to radiate. Fans will listen to this music not so much for the music itself, although it is excellent. They will listen to this music for the way it makes them feel. Review by Rhonda Readence Rating: 4 stars (out of 5)
Spaceship Days “Black Holes and Butterflies” by Sarah Whited
Deeply emotional, beautifully melancholy and touchingly orchestrated, Spaceship Days’ Black Holes and Butterflies is inescapably romantic. Each piece is haunting and intelligent, deep and brilliant. This album’s balance of hope and acquiescence, joy and anguish, and so many other swirling emotions, reflects the maturity level of its members. Greg Torsone, Chuck Cox and Matt Mocharnuk have a long history together. After years as the middling-successful band “grey”, the three friends bid each other farewell in order to pursue music in their separate ways. However, when the trio reunited for a movie night, the resulting songwriting and jam session proved that they were destined to make music together rather than separately. As inexorable as crossing an event horizon, yet as delicately gorgeous as velvet wings at sunset, Spaceship Days’ second album is a truly moving example of how music can strum one’s soul by appealing to a wide range of emotions simultaneously instead of focusing on one at a time. The post-rock, Brit-pop sound is captured in all its crystalline glory through the consistently outstanding clarity of the production. Poignant lyrics, on par with Anthony Genn’s of British group The Hours, take the listener back to the beating heart of music: our essential need to communicate our experiences to another human. Similar to the newly-signed Disney band, Alpha Rev, Spaceship Days combines digital guitar effects, full orchestra, timeless piano/acoustic solos, rich vocal harmonies, vivid mental images, and intricate mixing techniques. The resulting masterpieces are not merely “tunes,” they are the confessions to the universe. “Hanging from the Satellites” is a gentle introduction to the album. Unexpected chord changes surrounding the chorus add interest. The complete key change during the chorus gives the song a literal uplift, echoing the lyrics which describe the elation of being young and feeling that even the sky is within one’s grasp. This selection is the perfect prelude to a fun-filled yet classy night, or a great class song for a graduation ceremony. “Shadow walking” also carries the unmistakable fingerprint of youth in elation, combined with a sense of disconnect. The Rhodes effect of the introductory keyboard line is an elegant way to introduce the full distortion guitars and peppy drums. This pop song uses a major key, upbeat drums, a heavy clap effect on the 2nd and 4th beats, and innocent-sounding Rhodes-chimes for an overall effect of happiness. However, the lyrics reflect an essentially lonely theme. This song should have been on the top 10 charts since the day it was released. “Ghost of California” is a perfect winter day song, a tribute to the 1960’s classic “California Dreaming.” Although this song is a strong selection by the standards of other bands, it does not have the undeniable appeal that the two aforementioned songs have. The extremely simply drums seem repetitive after the first verse, and the flute echo of the lead guitar line is almost too close to “California Dreaming” for comfort. That said, this song is still a beautiful listen, and is appropriately placed in the song lineup. “Pain in Pretty Things” is a sweet ballad with piano and orchestra swirling throughout. This melancholy rumination deftly describes the pain that a beautiful woman is capable of inflicting while avoiding cliché. Spaceship Days’ strength lies in their ability to convey universally appealing themes through carefully crafted lyrics layered over intense yet youth-relevant instrumentation. The group captures strong emotional content that usually conjures the label “indescribable,” making this album seem like a magical glass prison for distilled inspiration. “Sweet Suffocation” combines acoustic guitar, a clap track, light syncopation, and soaring harmonies to weave a poignant picture of a doomed yet thrilling relationship. Like lingering in a burning home, the sense of inevitable catastrophe makes the narrator all the more reluctant to leave. Spaceship Days is a rare creature: exciting, mature, catchy, and masterfully produced. If this band is not featured on major charts and radio soon, the world will have missed out on something exquisitely beautiful. Review by Sarah Whited Rating: 5 stars (out of 5)
Deeply emotional, beautifully melancholy and touchingly orchestrated, Spaceship Days’ Black Holes and Butterflies is inescapably romantic. Each piece is haunting and intelligent, deep and brilliant. This album’s balance of hope and acquiescence, joy and anguish, and so many other swirling emotions, reflects the maturity level of its members. Greg Torsone, Chuck Cox and Matt Mocharnuk have a long history together. After years as the middling-successful band “grey”, the three friends bid each other farewell in order to pursue music in their separate ways. However, when the trio reunited for a movie night, the resulting songwriting and jam session proved that they were destined to make music together rather than separately. As inexorable as crossing an event horizon, yet as delicately gorgeous as velvet wings at sunset, Spaceship Days’ second album is a truly moving example of how music can strum one’s soul by appealing to a wide range of emotions simultaneously instead of focusing on one at a time. The post-rock, Brit-pop sound is captured in all its crystalline glory through the consistently outstanding clarity of the production. Poignant lyrics, on par with Anthony Genn’s of British group The Hours, take the listener back to the beating heart of music: our essential need to communicate our experiences to another human. Similar to the newly-signed Disney band, Alpha Rev, Spaceship Days combines digital guitar effects, full orchestra, timeless piano/acoustic solos, rich vocal harmonies, vivid mental images, and intricate mixing techniques. The resulting masterpieces are not merely “tunes,” they are the confessions to the universe. “Hanging from the Satellites” is a gentle introduction to the album. Unexpected chord changes surrounding the chorus add interest. The complete key change during the chorus gives the song a literal uplift, echoing the lyrics which describe the elation of being young and feeling that even the sky is within one’s grasp. This selection is the perfect prelude to a fun-filled yet classy night, or a great class song for a graduation ceremony. “Shadow walking” also carries the unmistakable fingerprint of youth in elation, combined with a sense of disconnect. The Rhodes effect of the introductory keyboard line is an elegant way to introduce the full distortion guitars and peppy drums. This pop song uses a major key, upbeat drums, a heavy clap effect on the 2nd and 4th beats, and innocent-sounding Rhodes-chimes for an overall effect of happiness. However, the lyrics reflect an essentially lonely theme. This song should have been on the top 10 charts since the day it was released. “Ghost of California” is a perfect winter day song, a tribute to the 1960’s classic “California Dreaming.” Although this song is a strong selection by the standards of other bands, it does not have the undeniable appeal that the two aforementioned songs have. The extremely simply drums seem repetitive after the first verse, and the flute echo of the lead guitar line is almost too close to “California Dreaming” for comfort. That said, this song is still a beautiful listen, and is appropriately placed in the song lineup. “Pain in Pretty Things” is a sweet ballad with piano and orchestra swirling throughout. This melancholy rumination deftly describes the pain that a beautiful woman is capable of inflicting while avoiding cliché. Spaceship Days’ strength lies in their ability to convey universally appealing themes through carefully crafted lyrics layered over intense yet youth-relevant instrumentation. The group captures strong emotional content that usually conjures the label “indescribable,” making this album seem like a magical glass prison for distilled inspiration. “Sweet Suffocation” combines acoustic guitar, a clap track, light syncopation, and soaring harmonies to weave a poignant picture of a doomed yet thrilling relationship. Like lingering in a burning home, the sense of inevitable catastrophe makes the narrator all the more reluctant to leave. Spaceship Days is a rare creature: exciting, mature, catchy, and masterfully produced. If this band is not featured on major charts and radio soon, the world will have missed out on something exquisitely beautiful. Review by Sarah Whited Rating: 5 stars (out of 5)
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